Writing workshops are b^llsh!t
Saturday, August 23rd, 2008That’s what I used to think anyway. Bull-shit. Or, to put it another way, oysters don’t learn to make pearls by attending workshops. I read that somewhere, and it became my off-the-cuff rejection to anyone offering a conference, a workshop, a meetup, a readup, a writeup, or any other event where writers got together to, well, get together.
If you’ve followed our fledgling adventures here, you’ve doubtlessly noticed that there’s two halves to the Creative Cusp: La Chingadera, which is our forthcoming publication featuring literature and art directed to a San Diego audience, and Write on the Cusp, our weekend writing workshops. Abbie and I work together on both halves, but the publication is my baby, and the workshop is hers.
“You’re teaching at our workshops, did I tell you that?” she asked/told me in one of our first meetings.
“Of course…” I said, in my usual cocky way, actually thinking something closer to, “Oh sh!t!”
Teaching! Not that I didn’t have experience teaching - I’ve been mentoring and teaching in the IT industry for close to ten years now. It’s a good part of my day job. But I’d never even been to a writing workshop, and I didn’t even know if I believed in them, and now I was being asked by my new business partner to teach at one.
When our inaugural weekend workshop came in June. I was both excited and nervous. Excited about bringing to other writers some of the hard lessons I’ve learned in 10+ years as a self-taught writer, but nervous too. Would any of the attendees get anything out of it? Or, would it be one of those things where everyone has fun, but in the end we all shrug our shoulders and go, oh well, whatever?
I can’t speak for the other attendees, but I left that first workshop quite humbled. What I’d thought might be a waste of time turned out to be two of the most valuable days in my writing career. What I’d assumed would be soft, pointless exercises turned out to be loaded with insights and little ah-ha moments. What I’d scoffed at before - being part of a community of writers - suddenly made sense.
Maybe best of all, when I went back to work on Monday editing A Story About San Diego, I found I had new ways of looking at and attacking my prose. Anyone who’s tried to edit a novel knows the value of a new point of view - you get so far into the bush that you start to lose sight of the trees, let alone the forest, right? Suddenly I could see the whole thing again, from a new perspective. Was it one of the lessons I learned? Was it the sum of them? It was hard to say.
But the big lesson was this: Writing workshops, contrary to everything I said about them for years, aren’t bullshit after all, or at least not necessarily. Actually they can be pretty damn useful. I know I’m pimping my own show here, but I believe in it, and I hope you’ll come see for yourself what a writing workshop can do for your work.
Our next Write on the Cusp is September 13-14. Joe Kane is coming back as a guest writer - he’s a local teacher and fiction writer with a Cleveland attitude. Abbie will be bringing us her insights and I’ll be sharing some more of those hard lessons. You can signup here.
- Jon Oropeza is a local writer, an enthusiast of San Diego fiction and a Co-Founder of The Creative Cusp.
